OZ Arts Nashville

Conversations at OZ 2026

Table Hosts:
María Magdalena Campos-Pons & Kamaal Malak

Artist Duo, KaMag

Topic TBD

María Magdalena Campos-Pons

María Magdalena Campos-Pons was born in in 1959 in the province of Matanzas, in the town of La Vega, Cuba. She grew up on a sugar plantation in a family with Nigerian, Hispanic and Chinese roots. Her Nigerian ancestors were brought to Cuba as slaves in the 19th century and passed on traditions, rituals, and beliefs. Her polyglot heritage profoundly influences Campos-Pons’ artistic practice, which combines diverse media including photography, performance, painting, sculpture, film, and video. Her work is autobiographical, investigating themes of history, memory, gender and religion and how they inform identity. Through deeply poetic and haunting imagery, Campos-Pons evokes stories of the Trans-Atlantic slave trade, indigo, and sugar plantations, Catholic and Santeria religious practices, and revolutionary uprisings.

In the late 1980s, Campos-Pons taught at the prestigious Instituto Superior de Arte in Havana and gained an international reputation as an exponent of the New Cuban Art movement that arose in opposition to Communist repression on the island. In 1991, she emigrated to Boston, where she continues to live and work. She has had solo exhibitions at the Museum of Modern Art in New York, the Indianapolis Museum of Art, the Peabody Essex Museum, and the National Gallery of Canada, among other distinguished institutions.  She has presented over 30 solo performances commissioned by institutions including the Guggenheim and The Smithsonian’s National Portrait Gallery. She has participated in the Venice Biennale, the Dakar Biennale, Johannesburg Biennial, Documenta 14, the Guangzhou Triennial and is included in Pacific Standard Time: LA/LA and Prospect.4 Triennial.  In October 2017, she received the endowed Cornelius Vanderbilt Chair at Vanderbilt University in Nashville, Tennessee.

Campos-Pons’ works are in over 30 museum collections including the Smithsonian Institution, The Whitney, the Art Institute of Chicago, the National Gallery of Canada, the Victoria and Albert Museum, the Museum of Modern Art, New York, The Museum of Fine Arts, Boston, the Perez Art Museum, Miami and the Fogg Art Museum.

Kamaal Malak

Kamaal Malak is a multifaceted musician, producer, academic, and researcher whose career spans diverse areas of the music industry. As a bassist and songwriter with the 2x Grammy-winning group Arrested Development, they significantly influenced conscious hip-hop in the early 1990s. His versatility as an artist is further exemplified by his collaborations with country music icon Shania Twain, bridging genres and expanding his musical reach. Beyond his performance career, Malak has made significant strides in music production, blending hip-hop, electronic, and world music influences.

At Vanderbilt University, Malak serves as a professor at CAL ” Cultural Advocacy and Leadership”, where he teaches the popular “Hip Hop Culture in America” class, bridging his professional experience with academic discourse. His scientific pursuits have led him to explore unconventional applications of music, notably his research on canine relaxation music titled “Music For My Dog.” This groundbreaking study investigates the impact of specially frequency & tempo composed music on dogs’ anxiety and  stress levels, further demonstrating his commitment to pushing the boundaries of music