OZ Arts Nashville

MAY I BE BRAVE ENOUGH TO SPEAK MY TRUTH

Selected works of Shabazz Larkin
Curated by Clarence Edward

February 1 - March 21

To make an appointment to see this exhibit outside the existing performance times, contact Manager of Artistic Programming Daniel Jones at daniel@ozartsnashville.org.

An extension of Shabazz Larkin’s circulated collection from The Museum of Presence, “May I Be Brave Enough to Speak My Truth” explores the human body as a canvas for protest and storytelling. Central to the exhibition are woven blankets depicting figures in mutual support, a poignant representation of our ancestral bonds and future legacies. A particularly striking aspect of this collection is the inclusion of three pieces featuring Black individuals with mouths open in what could be screams or songs. This powerful imagery challenges perceptions of Black pain and expression, underscoring the complexity and fragility surrounding these expressions. These works beautifully encapsulate the essence of Black culture, where pain, hurt, and conflict are often transformed into expressions of beauty and resilience. Echoing the spirit of the Civil Rights Movement, the exhibition subtly addresses themes of resistance and global unrest, while integrating elements of hip-hop culture to reflect on historical and contemporary struggles.

Artist Reception: Thursday, February 8th

Art-lovers gathered on Feb. 8th to celebrate the exhibit and listen to a special live podcast recording of artist Shabazz Larkin in a conversation with Jamel Campbell-Gooch, organizer of Black Nashville Assembly and Southern Movement Committee. The two discussed about the intersection of art and social justice and the role the arts play in community organizing. The conversation will be released by The Museum of Presence. 

ABOUT THE ARTIST

Shabazz Larkin is a figurative artist whose work is engulfed in the essence of Black culture and experience through a unique blend of vivid colors and typography. Based in Nashville, TN, his painting and sculpture work reflects a deep engagement with themes of justice, spirituality, and the celebration of Black joy. Using art as a vehicle to bring communities together, Larkin’s art extends beyond the aesthetic, sparking vital conversations on pressing social issues. His role as the head of content at True Voice and founder of The Museum of Presence further illustrates his commitment to bridging art, mindfulness, and community engagement.

ABOUT THE CURATOR

Clarence Edward, a proud native of Nashville, Tennessee, emerges as a dynamic force in the realm of arts and culture. Embarking on his journey in 2011, Clarence served as an independent art dealer for nearly a decade in Memphis, Atlanta, and New York City. In 2021, Clarence Edward fulfilled a lifelong dream by establishing Cë Gallery, a distinguished space in his hometown devoted to contemporary and fine arts. With a commitment to transcending traditional boundaries, Cë Gallery serves as a testament to Clarence’s vision, providing a platform for emerging and established artists to share their narratives with the world.

Through his keen eye for aesthetics and unwavering dedication to showcasing exceptional talent, Clarence has carved a distinct identity as an award-winning art gallerist, event curator, and set designer. His ability to create immersive and meaningful experiences for diverse audiences sets him apart in the world of arts and culture.

Beyond his role at Cë Gallery, Clarence has been a significant contributor to the arts community. His roles as a founding board member of Soho House Nashville and a member of the Frist Art Museum Warhol Society Board highlight his commitment to shaping the cultural landscape at both local and national levels.

Clarence’s multifaceted roles as a curator, gallerist, and board member reflect a deep passion for the arts and a sincere desire to contribute meaningfully to the creative dialogue. In every endeavor, Clarence Edward continues to be a driving force behind the scenes, ensuring that the world of art remains vibrant, dynamic, and accessible to all.